Prepare product images designed to grid up with each other on a flat gray background tint while casting natural shadows. This required careful management during retouching. Spokes, gears and brake/shifter cables need to read clearly.
Over a year since my last post, and all I’ve got is a note about my new iMac? Lame. I know!
Promise, my next post will be something more substantial!
There is something to say about my purchase of a new iMac 27″, though. (more…)
In Part 1 of this Photo Editing Workflow series I compared a traditional editing workflow with a new system I have been using in my last few projects. I pointed out some gotcha’s inherent in the traditional methods and potential improvements gained by transitioning to a new workflow. In this post I take a deeper dive into the nuts and bolts of how the new tools work. There are some workarounds suggested for areas the software is still catching up with my workflow. (more…)
This post is targeted at photo editors who work on large batches of images and need to produce a volume of edits on tight deadlines, with an eye to producing the most flexible final assets, suitable for digital & print usages.
Do you edit large batches of images? Maybe you manage a photo asset library, digitech photo shoots or shoot & edit your own photography? (more…)
Lilly Pulitzer is an upcoming Designer Partnership with Target. Knock worked on the In Store Marketing campaign. On this project I composed and retouched all photographs used as well as helped plan the photo shoot. I built final photocompositions and keylines of all items including drawing dielines for the dimensional items and directed the separator to complete final color work. (more…)